Our paper color is white, shadows and reflections is each photo may cause some minor distortions. The paper we offer is smooth without wrinkles.

Paper 12 made by mulberry plus bamboo and grass.

Paper 12 is thin Xuan art paper. Thin paper is sensitive to moisture, light pressure for a dry or wet brush is suggested. Alterations would not be suggested with thin paper. Subtle or bright vivid colors are at the hand of the artist.

Our paper color is white, shadows and reflections is each photo may cause some minor distortions. The paper we offer is smooth without wrinkles.

Paper 16 made by mulberry plus bamboo and grass.

Paper 16 is thin Xuan art paper. Thin paper is sensitive to moisture, light pressure for a dry or wet brush is suggested. Alterations would not be suggested with thin paper. Subtle or bright vivid colors are at the hand of the artist.

Our paper color is white, shadows and reflections is each photo may cause some minor distortions. The paper we offer is smooth without wrinkles.

Paper 18 made by mulberry plus bamboo and grass.

Paper 18 is thin Xuan art paper. Thin paper is sensitive to moisture, light pressure for a dry or wet brush is suggested. Alterations would not be suggested with thin paper. Subtle or bright vivid colors are at the hand of the artist.

Our paper color is white, shadows and reflections is each photo may cause some minor distortions. The paper we offer is smooth without wrinkles.

Paper 11 made by mulberry plus bamboo and grass.

Paper 11 is thin Xuan art paper. Thin paper is sensitive to moisture, light pressure for a dry or wet brush is suggested. Alterations would not be suggested with thin paper. Subtle or bright vivid colors are at the hand of the artist.

Our paper color is white, shadows and reflections is each photo may cause some minor distortions. The paper we offer is smooth without wrinkles.

Paper 7 made by mulberry plus bamboo and grass.

Paper 7 is thin Xuan art paper. Thin paper is sensitive to moisture, light pressure for a dry or wet brush is suggested. Alterations would not be suggested with thin paper. Subtle or bright vivid colors are at the hand of the artist.

Our paper color is white, shadows and reflections is each photo may cause some minor distortions. The paper we offer is smooth without wrinkles.

Paper 17 made by mulberry plus bamboo and grass.

Paper 17 is thin Xuan art paper. Thin paper is sensitive to moisture, light pressure for a dry or wet brush is suggested. Alterations would not be suggested with thin paper. Subtle or bright vivid colors are at the hand of the artist.

Paper #5,9,10,13,20,21,22,23,24

These 9 papers we offer are all suitable for conservation and restoration work on books, scrolls, paintings, calligraphy and other related art works and antiquities.

The very thin papers are almost invisible to the eye, the slightly thick papers we may suggest be considered where a greater strength is required to repair or restore a document. On some artwork, a combination of the two types may be required for the best possible results.

Paper #5,9,10,13,20,21,22,23,24

These 9 papers we offer are all suitable for conservation and restoration work on books, scrolls, paintings, calligraphy and other related art works and antiquities.

The very thin papers are almost invisible to the eye, the slightly thick papers we may suggest be considered where a greater strength is required to repair or restore a document. On some artwork, a combination of the two types may be required for the best possible results.

Paper #5,9,10,13,20,21,22,23,24

These 9 papers we offer are all suitable for conservation and restoration work on books, scrolls, paintings, calligraphy and other related art works and antiquities.

The very thin papers are almost invisible to the eye, the slightly thick papers we may suggest be considered where a greater strength is required to repair or restore a document. On some artwork, a combination of the two types may be required for the best possible results.

Paper #5,9,10,13,20,21,22,23,24

These 9 papers we offer are all suitable for conservation and restoration work on books, scrolls, paintings, calligraphy and other related art works and antiquities.

The very thin papers are almost invisible to the eye, the slightly thick papers we may suggest be considered where a greater strength is required to repair or restore a document. On some artwork, a combination of the two types may be required for the best possible results.